Dagny's story (pinball machine cast)
 I was actually on my way to Düsseldorf in 1980 to meet 
  up with Andy Warhol and Fred Hughes for Andy's show. I got it in my head to 
  stop off in Berlin beforehand to see my friend Richard Jackson, who was there 
  working at DAAD. Richard asked if I wanted to go out to dinner with the Kienholzes 
  that night, and of course I said yes. I had never met them, but had grown up 
  with the work. We went to a cozy, casual, Italian place, and I immediately liked 
  them. Nancy's very smart, straightforward and friendly; Ed was sort of scary 
  looking--really big, and kind of imposing, but also very friendly and nice to 
  me, and he obviously liked Richard too, so it was fun and easygoing. We laughed 
  and drank (and drank) and had a great time. Sometime during the course of the 
  evening I noticed that Nancy was really checking me out--looking at me intensely 
  and carefully. Suddenly she said to Ed, "I think Dagny'd be good--big hips, 
  no shovels." I didn't understand what she meant at all. Ed responded, "Yeah, 
  you're right," and then proceeded to explain their idea for a sculpture 
  using the Playboy pinball machine. Ed had watched some young guys playing pinball 
  on this machine, and all the pelvic action that accompanied the attempts to 
  get the little ball to go in the right direction. The machine had the typical 
  sort of vulgar images of Playboy Bunnies on it, and Ed had realized that the 
  young players were, in effect, fucking the Bunnies on the screen in front of 
  them. He wanted to do a piece about the subtle ways women are portrayed as objects, 
  and how young men learn to use and abuse them. Nancy then commented casually 
  that they had asked every model and whore they knew in Berlin to pose, but none 
  had been quite right. I was perfect. "Shovels" means bulging thighs, 
  like what I always called "saddlebags." I had flat thighs, but wide 
  hips that would fit the pinball machine. Would I pose for them? Tonight? Richard 
  Jackson almost fainted. He said, "Dagny, maybe you'd better think about 
  this and call Nancy and Ed in the morning." But I was leaving for Düsseldorf. 
  Richard went home, and I went off with Ed and Nancy to their studio.
  The studio was big and open and full of books and stuff. Someone else was there 
  (Ed's son?), and Ed told me to go to the bathroom, take off my clothes, and 
  put on the robe that was there. I did this, and returned to the big room, whereupon 
  I was handed a triangular piece of cloth and an ENORMOUS jar of Vasoline. I 
  was instructed to spread the Vasoline thickly over my pubic area and then stick 
  the cloth over that. So I did. There was a table and some wooden chairs arranged 
  near another big table, and Nancy asked me to get up on the table, lay back 
  and put one leg up on the back of one of the chairs and my other foot on the 
  seat of the second chair. For some reason, this was not weird or embarrassing--Nancy 
  and Ed were completely pro about all the adjusting of my legs, my arm, my body, 
  and made sure I was comfortable and at ease. I was, actually. Then they described 
  how the cast would be made--a thin, warm oil was spread all over my lower body, 
  and strips of plaster cloth (like they use to make a cast for a broken leg) 
  were smoothed over my legs and crotch. It felt great! All that warm oil and 
  massaging! Nancy was taking a bunch of pictures. Shortly, the plaster started 
  to set up, and it was only then that it occurred to me that I couldn't move. 
  I was completely in a cast, from my hips down, on my back, legs spread, in the 
  middle of the night, somewhere in Berlin. Still, I wasn't freaked out--just 
  finally questioning what I had got myself into (a bit late for this question, 
  I must say now). Assured that the cast would be dry enough to remove in a little 
  while, Ed, Nancy, the assistant and I all sat (well, I was not actually sitting...) 
  around and had something to drink and chatted till it was ready. There was a 
  kind of narrow slit on the bottom of the cast, running all the way down the 
  back of my legs. Ed and Nancy explained that the cast would just sort of come 
  off when it was pulled. My eyes widened. Suddenly I realized why all the Vasoline 
  and oil. I was about to have the most amazing body wax!! Ed and the assistant 
  stood on either side of me, put their fingers in the slit, and pulled the cast 
  up... ouch... and ...pop! ...off. It was an incredible feeling. There I was, 
  starkers, having just been cast for The Bronze Pinball Machine With Woman Affixed 
  Also. It was late, Ed drove me home, and I didn't hear from them after that. 
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